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Ashley Bickerton: Ornamental Hysteria Benjamin Moser Tomkins traces the artists’ individual

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Tomkins traces the artists’ individual efforts to create work that contends with the real world

A small selection has also been cast in bronze

Bonami—the artist’s friend and longtime collaborator—mischievously adopts Cattelan’s voice to relate his provocative views on art and society

“all that ever happened in these places seems crystallized in his tableaux

and trompe l’oeil pins depicted in the drawings suggest text chiseled in stone

Ashley Bickerton: Ornamental Hysteria Benjamin Moser Tomkins traces the artists’ individualThis book was published on the occasion of the exhibition Ashley Bickerton: Ornamental Hysteria at Newport Street Gallery, London. It documents the major surveywhich was drawn from Damien Hirsts Murderme collectionfeaturing work made by Bickerton over a period of some three decades, from his consumerist wall sculptures of the mid to late 1980s to the vivid and idiosyncratic mixed media paintings and sculptures of more recent years. In addition to

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